This will be Max O’Rourke’s 3rd year teaching at Django Camp, but his association with the event goes back much longer than that. He was born and raised not far from where we host this event, in West Rutland, Vermont. His interest in guitar began when he was just 6 but it took him 10 years to make it to Django in June. He was already, nonetheless, a fine Gypsy jazz guitarists by the time he first came as one of our rare (but invariably talented) teenage campers. He joined us for a couple more after that, then headed off to Berklee College of Music. In 2018 he made his triumphant return to Django in June, this time as a teacher and a member of the Gonzalo Bergara Quartet. Here’s something from their exquisite, Claroscuro. Note that when you hold the rhythm chair for Gonzalo, you’d best have more in your pocket than just a solid pompe.
Max’s skill as a teacher is no secret: he has taught at Frank Vignola’s camp at Crested Butte, Django Fest NW, Django by the Sea, and Fiddle Hell. Equally in demand as a player he played 35 states and 8 countries with the John Jorgenson Quintet, the Daisy Castro Quartet and of course, the Rhythm Future Quartet for which he composes and shares guitar duties with Olli Soikkeli. Here’s the man at work on Django’s, “Minor Blues” at Scullers Jazz Club in Boston.
O’Rourke released his own debut CD, “Disquiet,” in 2018. Listening to the fruits of this labor you might not know that his roots run so deep in the soil of Gypsy jazz. But every once in a while something delightful gives him away. You can’t fake, or mistake, la pompe or the cascading rest-stroke arpeggios Max uses on this tune, “Clumsy”—on which he is anything but.