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William Brunard — Talbot Dining Room
Sound control, Choose your chords – (Topsy, Les Yeux Noirs, Claire de Lune, For sephora, Troublant Boléro)
Focusing on right-hand and left-hand techniques
William Brunard — Talbot Dining Room
Vocabulary – (I can’t Give You, Blues en Mineur, Danse Norvégienne)
Practice harmony, licks and arpeggios
Tcha Limberger — Talbot Dining Room
Black & White, Irisha
My Rhythm classes will always start from the accompaniment, go through to fills, and will always, mostly, be inspired by all I heard of Django Reinhardt, both in treatment of sound as well as chord choices.
Tcha Limberger — Talbot Dining Room
Black & White, Irisha
Any good solo will always be completely connected to the chords, and to the imaginative juggling with them. A good solo will always be looking for melodic lines within the chord changes, and accentuating them throughout.
Fapy Lafertin — Talbot Dining Room
Study with Fapy Lafertin
Fapy Lafertin is one of the most celebrated and influential Jazz Manouche guitarists of the last 50 years. Fapy will be sharing some of his personal insights into playing guitar in this style.
Fapy Lafertin — Talbot Dining Room
Study with Fapy Lafertin
Fapy Lafertin is one of the most celebrated and influential Jazz Manouche guitarists of the last 50 years. Fapy will be sharing some of his personal insights into playing guitar in this style.
Gwen Cahue — Talbot Dining Room
Melodic Lines Between Chords – Djangology / Bei Dir War es Immer so Schön
Working with inversions to create fluid melodic movement between chords and develop a more singing accompaniment style.
Gwen Cahue — Talbot Dining Room
Colors and Transitions – Blues en Mineur
Exploring tonal colors and melodic enrichment over a nearly modal static chord, then working through harmonic transitions to develop a full solo voice.